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Пошуковий запит: <.>S=Motion pictures—European influences.<.>

Загальна кількість знайдених документів : 15
Показані документи с 1 за 15

    Kalmár, György.
    Formations of Masculinity in Post-Communist Hungarian Cinema [Electronic resource] : labyrinthian Men / / György. Kalmár ; . - 1st ed. 2017. - [S. l. : s. n.]. - XXIV, 164 p. 28 illus. in color. - ISBN 9783319636641
    Зміст:

Рубрики: Motion pictures—European influences.
   Motion pictures—History.
   Ethnology—Europe.
   Russia—History.
   Europe, Eastern—History.
   European Cinema and TV.
   Film History.
   European Culture.
   Russian, Soviet, and East European History.
Анотація: This book investigates the formations of masculinity in Hungarian cinema after the fall of communism and explores some of the cultural phenomena of the years following the 1989 regime change. The films explored offer a unique perspective encompassing two entirely different worlds: state socialism and neoliberal capitalism. The films suggest that Eastern Europe is somehow different than its western counterpart and that its subjects are marked by what they went through before and after 1989. These films are all remembering, interpreting, picturing, marketing and trying to come to terms with this difference—with the memory and effects of state-socialism. In looking closely at the films’ male figures, one may not only get a glimpse of the dramatic changes Eastern European societies went through after the fall of communism but also see the brave new world of global neoliberal capitalism through the eyes of the Eastern European newcomers.
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    Aldana Reyes, Reyes, Xavier.
    Spanish Gothic [Electronic resource] : national Identity, Collaboration and Cultural Adaptation / / Reyes, Xavier. Aldana Reyes ; . - 1st ed. 2017. - [S. l. : s. n.]. - X, 241 p. - ISBN 9781137306012
    Зміст:

Рубрики: Motion pictures.
   Ethnology—Europe.
   Motion pictures—History.
   Literature—History and criticism.
   Motion pictures—European influences.
   European literature.
   Film Theory.
   European Culture.
   Film History.
   Literary History.
   European Cinema and TV.
   European Literature.
Анотація: This book presents the first English introduction to the broad history of the Gothic mode in Spain. It focuses on key literary periods, such as Romanticism, the fin-de-siècle, spiritualist writings of the early-twentieth century, and the cinematic and literary booms of the 1970s and 2000s. With illustrative case studies, Aldana Reyes demonstrates how the Gothic mode has been a permanent yet ever-shifting fixture of the literary and cinematic landscape of Spain since the late-eighteenth century. He proposes that writers and filmmakers alike welcomed the Gothic as a liberating and transgressive artistic language.
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    William, Jennifer Marston.
    Cognitive Approaches to German Historical Film [Electronic resource] : seeing is Not Believing / / Jennifer Marston. William ; . - 1st ed. 2017. - [S. l. : s. n.]. - IX, 200 p. 5 illus. in color. - ISBN 9783319393186
    Зміст:

Рубрики: Motion pictures—European influences.
   Motion pictures.
   Ethnology—Europe.
   European Cinema and TV.
   Film Theory.
   European Culture.
Анотація: This book explores how minds at the movies understand minds in the movies and introduces readers to some fundamental principles of Cognitive Studies—namely conceptual blending, Theory of Mind, and empathy/perspective-taking—through their application to film analysis. A cognitive approach to recent popular historical films demonstrates cinema’s potential to stimulate viewers’ critical thinking about crucial events of the past century. Diverging from the focus on narrative processing in traditional cognitivist theory, this book examines film reception and production in the context of the latest developments in cognitive and social psychology. Turning to German cinema as a case study for this interdisciplinary partnership, Jennifer Marston William offers a fresh look at some internationally successful films of the twenty-first century, including Nowhere in Africa, Goodbye, Lenin!, Sophie Scholl, Downfall, The Lives of Others, and The Baader-Meinhof Complex.
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    Writing and Performing Female Identity in Italian Culture [Electronic resource] / ed.: Picchietti, Virginia., Salsini, Laura A. - 1st ed. 2017. - [S. l. : s. n.]. - XIII, 278 p. 3 illus., 1 illus. in color. - ISBN 9783319408354
    Зміст:

Рубрики: Literature, Modern—20th century.
   Ethnology—Europe.
   Motion pictures—European influences.
   Twentieth-Century Literature.
   European Culture.
   European Cinema and TV.
Анотація: This volume investigates the ways in which Italian women writers, filmmakers, and performers have represented female identity across genres from the immediate post-World War II period to the turn of the twenty-first century. Considering genres such as prose, poetry, drama, and film, these essays examine the vision of female agency and self-actualization arising from women artists’ critique of female identity. This dual approach reveals unique interpretations of womanhood in Italy spanning more than fifty years, while also providing a deep investigation of the manipulation of canvases historically centered on the male subject. With its unique coupling of generic and thematic concerns, the volume contributes to the ever expanding female artistic legacy, and to our understanding of postwar Italian women’s evolving relationship to the narration of history, gender roles, and these artists’ use and revision of generic convention to communicate their vision.
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Picchietti, Virginia. \ed.\; Salsini, Laura A. \ed.\
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    Italian Motherhood on Screen [Electronic resource] / ed.: Faleschini Lerner, Giovanna., D’Amelio, Maria Elena. - 1st ed. 2017. - [S. l. : s. n.]. - XIII, 293 p. 2 illus. - ISBN 9783319566757
    Зміст:

Рубрики: Motion pictures—European influences.
   Ethnology—Europe.
   Motion pictures—History.
   Sociology.
   European Cinema and TV.
   European Culture.
   Film History.
   Gender Studies.
Анотація: This book is the first scholarly analysis that considers the specificity of situated experiences of the maternal from a variety of theoretical perspectives. From “Fertility Day” to “Family Day,” the concept of motherhood has been at the center of the public debate in contemporary Italy, partly in response to the perceived crisis of the family, the economic crisis, and the crisis of national identity, provoked by the forces of globalization and migration, secularization, and the instability of labor markets. Through essays by an international cohort of established and emerging scholars, this volume aims to read these shifts in cinematic terms. How does Italian cinema represent, negotiate, and elaborate changing definitions of motherhood in narrative, formal, and stylistic terms? The essays in this volume focus on the figures of working mothers, women who opt for a child-free adulthood, single mothers, ambivalent mothers, lost mothers, or imperfect mothers, who populate contemporary screen narratives. .
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Faleschini Lerner, Giovanna. \ed.\; D’Amelio, Maria Elena. \ed.\
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    Rerouting Galician Studies [Electronic resource] : multidisciplinary Interventions / / ed.: Sampedro Vizcaya, Benita., Losada Montero, José A. - 1st ed. 2017. - [S. l. : s. n.]. - XXXV, 338 p. 20 illus., 16 illus. in color. - ISBN 9783319657295
Рубрики: Ethnology—Europe.
   Cultural heritage.
   Cultural studies.
   Motion pictures—European influences.
   Comparative literature.
   European Culture.
   Cultural Heritage.
   Cultural Studies.
   European Cinema and TV.
   Comparative Literature.
Анотація: This book—aimed at both the general reader and the specialist—offers a transatlantic, transnational, and multidisciplinary cartography of the rapidly expanding intellectual field of Galician Studies. In the twenty-one essays that comprise the volume, leading scholars based in the United States, Canada, the United Kingdom, and New Zealand engage with this field from the perspectives of queer theory, Atlantic and diasporic thought, political ecology, hydropoetics, theories of space, trauma and memory studies, exile, national/postnational approaches, linguistic ideologies, ethnographic poetry and photography, Galician language in the US academic curriculum, the politics of children’s books, film and visual studies, the interrelation of painting and literature, and material culture. Structured around five organizational categories (Frames, Routes, Readings, Teachings, and Visualities), and adopting a pluricentric view of Galicia as an analytical subject of study, the book brings cutting-edge debates in Galician Studies to a broad international readership.
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Sampedro Vizcaya, Benita. \ed.\; Losada Montero, José A. \ed.\
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    Giori, Mauro.
    Homosexuality and Italian Cinema [Electronic resource] : from the Fall of Fascism to the Years of Lead / / Mauro. Giori ; . - 1st ed. 2017. - [S. l. : s. n.]. - XVI, 272 p. 20 illus., 9 illus. in color. - ISBN 9781137565938
    Зміст:

Рубрики: Motion pictures—European influences.
   Culture.
   Gender.
   Italy—History.
   Sociology.
   European Cinema and TV.
   Culture and Gender.
   History of Italy.
   Gender Studies.
Анотація: This book is the first to establish the relevance of same-sex desires, pleasures and anxieties in the cinema of post-war Italy. It explores cinematic representations of homosexuality and their significance in a wider cultural struggle in Italy involving society, cinema, and sexuality between the 1940s and 1970s. Besides tracing the evolution of representations through both art and popular films, this book also analyses connections with consumer culture, film criticism and politics. Giori uncovers how complicated negotiations between challenges to and valorization of dominant forms of knowledge of homosexuality shaped representations and argues that they were not always the outcome of hatred but also sought to convey unmentionable pleasures and complicities. Through archival research and a survey of more than 600 films, the author enriches our understanding of thirty years of Italian film and cultural history.
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    O'Brien, Daniel.
    Black Masculinity on Film [Electronic resource] : native Sons and White Lies / / Daniel. O'Brien ; . - 1st ed. 2017. - [S. l. : s. n.]. - IX, 221 p. 20 illus. - ISBN 9781137593238
Рубрики: African Americans.
   Motion pictures—United States.
   Motion pictures—European influences.
   Racism in the social sciences.
   Culture.
   Gender.
   African American Culture.
   American Cinema and TV.
   European Cinema and TV.
   Sociology of Racism.
   Culture and Gender.
Анотація: This book provides wide-ranging commentary on depictions of the black male in mainstream cinema. O’Brien explores the extent to which counter-representations of black masculinity have been achieved within a predominately white industry, with an emphasis on agency, the negotiation and malleability of racial status, and the inherent instability of imposed racial categories. Focusing on American and European cinema, the chapters highlight actors (Woody Strode, Noble Johnson, Eddie Anderson, Will Smith), genres (jungle pictures, westerns, science fiction) and franchises (Tarzan, James Bond) underrepresented in previous critical and scholarly commentary in the field. The author argues that although the characters and performances generated in these areas invoke popular genre types, they display complexity, diversity and ambiguity, exhibiting aspects that are positive, progressive and subversive. This book will appeal to both the academic and the general reader interested in film, race, gender and colonial issues. Daniel O'Brien is Lecturer at the University of Southampton. He is a writer and historian in film studies and a film tutor in Medical Humanities. His recent publications include Classical Masculinity and the Spectacular Body on Film: The Mighty Sons of Hercules (Palgrave Macmillan 2014).
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    Barker, Jesse.
    Affect and Belonging in Contemporary Spanish Fiction and Film [Electronic resource] : crossroads Visions / / Jesse. Barker ; . - 1st ed. 2017. - [S. l. : s. n.]. - XI, 226 p. 15 illus., 12 illus. in color. - ISBN 9783319589695
Рубрики: Motion pictures—European influences.
   European literature.
   Ethnology—Europe.
   Motion pictures.
   Cultural heritage.
   European Cinema and TV.
   European Literature.
   European Culture.
   Close Reading.
   Cultural Heritage.
Анотація: This book brings together recent Spanish fictions and films that point to individualism as the root problem driving diverse circumstances of social, economic, and psychological suffering in the present and recent past. The works privilege sensation, movement, and emotion—rather than identity—as the core elements of existential experience. However, the works also problematize notions of intersubjectivity, confronting ideals of affective immersion and cultural nomadism with the concrete contexts that shape particular lives and social formations. This confrontation underlies a series of ‘crossroads’, or productive engagements, that guide the book’s five main chapters: locally rooted identity and global cultural circuits; historical contexts and universal modes of being; personal authenticity and consumer culture; migration and cultural identity; Spain's historical underdevelopment and impending future crises. All of these issues make affective connection and attachment the greatest existential challenge facing individuals and collectives in the contemporary world, both in Spain and elsewhere.
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10.

    Noheden, Kristoffer.
    Surrealism, Cinema, and the Search for a New Myth [Electronic resource] / Kristoffer. Noheden ; . - 1st ed. 2017. - [S. l. : s. n.]. - VII, 261 p. - ISBN 9783319555010
    Зміст:

Рубрики: Motion pictures—European influences.
   Motion pictures.
   Motion pictures—History.
   Aesthetics.
   European Cinema and TV.
   Film Theory.
   Close Reading.
   Film History.
   Aesthetics.
Анотація: This book examines post-war surrealist cinema in relation to surrealism’s change in direction towards myth and magic following World War II. Intermedial and interdisciplinary, the book unites cinema studies with art history and the study of Western esotericism, closely engaging with a wide range of primary sources, including surrealist journals, art, exhibitions, and writings. Kristoffer Noheden looks to the Danish surrealist artist Wilhelm Freddie’s forays into the experimental short film, the French poet Benjamin Péret’s contribution to the documentary film L’Invention du monde, the Argentinean-born filmmaker Nelly Kaplan’s feature films, and the Czech animator Jan Svankmajer’s work in short and feature films. The book traces a continuous engagement with myth and magic throughout these films, uncovering a previously unknown strain of occult imagery in surrealist cinema. It broadens the scope of the study of not only surrealist cinema, but of surrealism across the art forms. Surrealism, Cinema, and the Search for a New Myth will appeal to film scholars, art historians, and those interested in the impact of occultism on modern culture, film, and the arts.
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11.

    Powrie, Phil.
    Music in Contemporary French Cinema [Electronic resource] : the Crystal-Song / / Phil. Powrie ; . - 1st ed. 2017. - [S. l. : s. n.]. - XV, 273 p. 26 illus., 23 illus. in color. - ISBN 9783319523620
    Зміст:

Рубрики: Motion pictures—European influences.
   Music.
   Motion picture acting.
   Motion pictures.
   Culture.
   Gender.
   European Cinema and TV.
   Music.
   Screen Performance.
   Audio-Visual Culture.
   Culture and Gender.
Анотація: This book explores composed scores and pre-existing music in French cinema from 1985 to 2015 so as to identify critical musical moments. It shows how heritage films construct space through music, generating what Powrie calls “third space music,” while also working to contain the strong women characters found in French heritage films through the use of leitmotifs and musical cues. He analyses fiction films in which the protagonists perform at the piano, showing how musical performance supports the performance of gender. Building on aspects of musical performance, and in particular the use of songs performed in films, Powrie uses a database of 300 films since 2010 to theorize the intervention of music at critical moments as a “crystal-song”. Applying Roland Barthes’s concept of the “punctum” and Gille Deleuze’s concept of the “crystal-image,” Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future.
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12.

    Başcı, Pelin.
    Social Trauma and Telecinematic Memory [Electronic resource] : imagining the Turkish Nation since the 1980 Coup / / Pelin. Başcı ; . - 1st ed. 2017. - [S. l. : s. n.]. - XIII, 340 p. 10 illus. in color. - ISBN 9783319597225
    Зміст:

Рубрики: Ethnology—Europe.
   Motion pictures—European influences.
   Cultural heritage.
   Cultural policy.
   Popular Culture.
   Ethnology—Middle East .
   European Culture.
   European Cinema and TV.
   Cultural Heritage.
   Cultural Policy and Politics.
   Popular Culture .
   Middle Eastern Culture.
Анотація: This book explores responses to authoritarianism in Turkish society through popular culture by examining feature films and television serials produced between 1980 and 2010 about the 1980 coup. Envisioned as an interdisciplinary study in cultural studies rather than a disciplinary work on cinema, the book advocates for an understanding of popular culture in discerning emerging narratives of nationhood. Through feature films and television serials directly dealing with the coup of 1980, the book exposes tropes and discursive continuities such as “childhood” and “the child”. It argues that these conventional tropes enable popular debates on the modern nation’s history and its myths of identity. .
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13.

    Gender in Spanish Urban Spaces [Electronic resource] : literary and Visual Narratives of the New Millennium / / ed.: DiFrancesco, Maria C., Ochoa, Debra J. - 1st ed. 2017. - [S. l. : s. n.]. - XIX, 402 p. 26 illus. in color. - ISBN 9783319473253
    Зміст:

Рубрики: Ethnology—Europe.
   Sociology, Urban.
   Motion pictures—European influences.
   European literature.
   European Culture.
   Urban Studies/Sociology.
   European Cinema and TV.
   European Literature.
Анотація: This edited collection examines the synergistic relationship between gender and urban space in post-millennium Spain. Despite the social progress Spain has made extending equal rights to all citizens, particularly in the wake of the Franco regime and radically liberating Transición, the fact remains that not all subjects—particularly, women, immigrants, and queers—possess equal autonomy. The book exposes visible shifts in power dynamics within the nation’s largest urban capitals—Madrid and Barcelona—and takes a hard look at more peripheral bedroom communities as all of these spaces reflect the discontent of a post-nationalistic, economically unstable Spain. As the contributors problematize notions of public and private space and disrupt gender binaries related with these, they aspire to engender discussion around civic status, the administration of space and the place of all citizens in a global world.
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DiFrancesco, Maria C. \ed.\; Ochoa, Debra J. \ed.\
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14.

    Lewis, Ingrid.
    Women in European Holocaust Films [Electronic resource] : perpetrators, Victims and Resisters / / Ingrid. Lewis ; . - 1st ed. 2017. - [S. l. : s. n.]. - XIII, 278 p. 27 illus. - ISBN 9783319650616
    Зміст:

Рубрики: Culture.
   Gender.
   World War, 1939-1945.
   Motion pictures—European influences.
   Motion pictures—History.
   Women.
   Culture and Gender.
   History of World War II and the Holocaust.
   European Cinema and TV.
   Film History.
   Women's Studies.
Анотація: This book considers how women’s experiences have been treated in films dealing with Nazi persecution. Focusing on fiction films made in Europe between 1945 and the present, this study explores dominant discourses on and cinematic representation of women as perpetrators, victims and resisters. Ingrid Lewis contends that European Holocaust Cinema underwent a rich and complex trajectory of change with regard to the representation of women. This change both reflects and responds to key socio-cultural developments in the intervening decades as well as to new directions in cinema, historical research and politics of remembrance. The book will appeal to international scholars, students and educators within the fields of Holocaust Studies, Film Studies, European Cinema and Women’s Studies. .
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15.

    Bubeníček, Petr.
    Subversive Adaptations [Electronic resource] : czech Literature on Screen behind the Iron Curtain / / Petr. Bubeníček ; . - 1st ed. 2017. - [S. l. : s. n.]. - XI, 224 p. 10 illus. - ISBN 9783319409610
    Зміст:

Рубрики: Motion pictures—European influences.
   Motion pictures.
   Russia—History.
   Europe, Eastern—History.
   European Cinema and TV.
   Adaptation Studies.
   Russian, Soviet, and East European History.
   Film Theory.
Анотація: This book deals with film adaptations of literary works created in Communist Czechoslovakia between 1954 and 1969, such as The Fabulous World of Jules Verne (Zeman 1958), Marketa Lazarová (Vláčil 1967), and The Joke (Jireš 1969). Bubeníček treats a historically significant period around which myths and misinformation have arisen. The book is broad in scope and examines aesthetic, political, social, and cultural issues. It sets out to disprove the notion that the state-controlled film industry behind the Iron Curtain produced only aesthetically uniform works pandering to official ideology. Bubeníček’s main aim is to show how the political situation of Communist Czechoslovakia moulded the film adaptations created there, but also how these same works, in turn, shaped the sociocultural conditions of the 1950s and the 1960s.
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