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1.


   
    Performance, Feminism and Affect in Neoliberal Times [Electronic resource] / ed.: Diamond, Elin., Varney, Denise., Amich, Candice. - 1st ed. 2017. - [S. l. : s. n.]. - XVIII, 315 p. 12 illus. in color. - ISBN 9781137598103
    Зміст:
Рубрики: Sociology.
   Performing arts.
   Theater.
   Feminist theory.
   Cultural studies.
   Gender Studies.
   Performing Arts.
   Contemporary Theatre.
   Feminism.
   Cultural Studies.
Анотація: This book is a provocative new study of global feminist activism that opposes neoliberal regimes across several sites including Asia, Australia, Canada, Europe, Latin America and the United States. The feminist performative acts featured in the book contest the aggressive unravelling of collectively won gains in gender, sexual and racial equality, the appearance of new planes of discrimination, and the social consequences of political economies based on free market ideology. The investigations of affect theory follow the circulation of intensities – of political impingements on bodies, subjective and symbolic violence, and the shock of dispossession ¬– within and beyond individuals to the social and political sphere. Affect is a helpful matrix for discussing the volatile interactivity between performer and spectator, whether live or technologically mediated. Contending that there is no activism without affect, the collection brings back to the table the activist and hopeful potential of feminism.
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Diamond, Elin. \ed.\; Varney, Denise. \ed.\; Amich, Candice. \ed.\
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2.


    Eckersall, Peter.
    New Media Dramaturgy [Electronic resource] : performance, Media and New-Materialism / / Peter. Eckersall, Grehan, Helena., Scheer, Edward. ; . - 1st ed. 2017. - [S. l. : s. n.]. - XI, 236 p. 22 illus. - ISBN 9781137556042
    Зміст:
Рубрики: Performing arts.
   Theater.
   Theater—Production and direction.
   Performing Arts.
   Contemporary Theatre.
   Theatre Direction and Production.
Анотація: This book illuminates the shift in approaches to the uses of theatre and performance technology in the past twenty-five years and develops an account of new media dramaturgy (NMD), an approach to theatre informed by what the technology itself seems to want to say. Born of the synthesis of new media and new dramaturgy, NMD is practiced and performed in the work of a range of important artists from dumb type and their 1989 analog-industrial machine performance pH, to more recent examples from the work of Kris Verdonck and his A Two Dogs Company. Engaging with works from a range of artists and companies including: Blast Theory, Olafur Eliasson, Nakaya Fujiko and Janet Cardiff, we see a range of extruded performative technologies operating overtly on, with and against human bodies alongside more subtle dispersed, interactive and experiential media.
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Grehan, Helena.; Scheer, Edward.; Eckersall, Peter. \.\
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3.


   
    iBroadway [Electronic resource] : musical Theatre in the Digital Age / / ed. Hillman-McCord, Jessica. - 1st ed. 2017. - [S. l. : s. n.]. - XVII, 365 p. 10 illus. - ISBN 9783319648767
    Зміст:
Рубрики: Digital media.
   Theater.
   Theater—Production and direction.
   Digital/New Media.
   Theatre Industry.
   Theatre Direction and Production.
   Contemporary Theatre.
Анотація: This book argues that the digital revolution has fundamentally altered the way musicals are produced, followed, admired, marketed, reviewed, researched, taught, and even cast. In the first hundred years of its existence, commercial musical theatre functioned on one basic model. However, with the advent of digital and network technologies, every musical theatre artist and professional has had to adjust to swift and unanticipated change. Due to the historically commercial nature of the musical theatre form, it offers a particularly potent test case to reveal the implications of this digital shift than other theatrical art forms. Rather than merely reflecting technological change, musical theatre scholarship and practice is at the forefront of the conversation about art in the digital age. This book is essential reading for musical theatre fans and scholars alike.
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Hillman-McCord, Jessica. \ed.\
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4.


   
    Perspectives on Contemporary Irish Theatre [Electronic resource] : populating the Stage / / ed.: Etienne, Anne., Dubost, Thierry. - 1st ed. 2017. - [S. l. : s. n.]. - XV, 301 p. 4 illus. - ISBN 9783319597102
Рубрики: Theater.
   Actors.
   Contemporary Theatre.
   Performers and Practitioners.
   National/Regional Theatre and Performance.
   Theatre Industry.
Анотація: This book addresses the notion posed by Thomas Kilroy in his definition of a playwright’s creative process: ‘We write plays, I feel, in order to populate the stage’. It gathers eclectic reflections on contemporary Irish theatre from both Irish theatre practitioners and international academics. The eighteen contributions offer innovative perspectives on Irish theatre since the early 1990s up to the present, testifying to the development of themes explored by emerging and established playwrights as well as to the (r)evolutions in practices and approaches to the stage that have taken place in the last thirty years. This cross-disciplinary collection devotes as much attention to contextual questions and approaches to the stage in practice as it does to the play text in its traditional and revised forms. The essays and interviews encourage dialectic exchange between analytical studies on contemporary Irish theatre and contributions by theatre practitioners.v.
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Etienne, Anne. \ed.\; Dubost, Thierry. \ed.\
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5.


    Taylor Porter, Porter, Nancy.
    Violent Women in Contemporary Theatres [Electronic resource] : staging Resistance / / Porter, Nancy. Taylor Porter ; . - 1st ed. 2017. - [S. l. : s. n.]. - X, 410 p. 11 illus. - ISBN 9783319570068
    Зміст:
Рубрики: Theater.
   Women.
   Culture.
   Gender.
   Contemporary Theatre.
   Women's Studies.
   Culture and Gender.
Анотація: This book brings together the fields of theatre, gender studies, and psychology/sociology in order to explore the relationships between what happens when women engage in violence, how the events and their reception intercept with cultural understandings of gender, how plays thoughtfully depict this topic, and how their productions impact audiences. Truthful portrayals force consideration of both the startling reality of women's violence — not how it's been sensationalized or demonized or sexualized, but how it is — and what parameters, what possibilities, should exist for its enactment in life and live theatre. These women appear in a wide array of contexts: they are mothers, daughters, lovers, streetfighters, boxers, soldiers, and dominatrixes. Who they are and why they choose to use violence varies dramatically. They stage resistance and challenge normative expectations for women. This fascinating and balanced study will appeal to anyone interested in gender/feminism issues and theatre.
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Taylor Porter, Nancy. \.\
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6.


    Osnes, Beth.
    Performance for Resilience [Electronic resource] : engaging Youth on Energy and Climate through Music, Movement, and Theatre / / Beth. Osnes ; . - 1st ed. 2017. - [S. l. : s. n.]. - XVIII, 158 p. 20 illus. - ISBN 9783319672892
    Зміст:
Рубрики: Theater.
   Environmental sociology.
   Youth—Social life and customs.
   Performing arts.
   Contemporary Theatre.
   Environmental Sociology.
   Youth Culture.
   Performing Arts.
Анотація: This book focuses on Shine, a musical performance about how energy, humanity, and climate are interrelated. Weaving together climate science and artistic expression, it results in a funny and powerful story spanning 300 million years. The first half is professionally script ed, composed, and choreographed to convey how our use of fossil fuels is impacting our climate. The second half - our future story - is authored by local youth to generate solutions for their city’s resilience. In rehearsing the musical, participants themselves embody aspects of climate science and human development. Ultimately, it demonstrates that performance can be a dynamic tool for youth to contribute to their community’s resilience. Educators can use this book to guide youth in creative expression based on (or inspired by) Shi ne. Included are the script, links to the music and video of the performance, materials for building curricula, interviews with collaborators, and lessons learned along Shine’s year-long international tour.
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Osnes, Beth. \.\
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7.


    Reynolds, Bryan.
    Intermedial Theater [Electronic resource] : performance Philosophy, Transversal Poetics, and the Future of Affect / / Bryan. Reynolds ; . - 1st ed. 2017. - [S. l. : s. n.]. - XVIII, 314 p. 30 illus., 26 illus. in color. - ISBN 9781137508386
    Зміст:
Рубрики: Theater.
   Aesthetics.
   Poetry.
   Contemporary Theatre.
   Global/International Theatre and Performance.
   Aesthetics.
   Poetry and Poetics.
Анотація: This book explores relationships between intermedial theater, consciousness, memory, objects, subjectivity, and affect through productive engagement with the performance aesthetics, socio-cognitive theory, and critical methodology of transversal poetics alongside other leading philosophical approaches to performance. It offers the first sustained analysis of the work of Gilles Deleuze, Félix Guattari, Jean Baudrillard, and Friedrich Nietzsche in relation to the contemporary European theater of Jan Lauwers and Needcompany, Romeo Castellucci and Socìetas Raffaello Sanzio, Thomas Ostermeier, Rodrigo García and La Carnicería Teatro, and the Transversal Theater Company. It connects contemporary uses of objects, simulacra, and technologies in both posthumanist discourse and postdramatic theater to the transhistorically and culturally mediating power of Shakespeare as a means by which to discuss the affective impact of intermedial theater on today’s audiences.
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Reynolds, Bryan. \.\
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8.


    Alexandre, Jane M.
    Dance Leadership [Electronic resource] : theory Into Practice / / Jane M. Alexandre ; . - 1st ed. 2017. - [S. l. : s. n.]. - X, 212 p. 33 illus., 29 illus. in color. - ISBN 9781137575920
    Зміст:
Рубрики: Dance.
   Theater—Production and direction.
   Performing arts.
   Theater.
   Actors.
   Dance.
   Theatre Direction and Production.
   Performing Arts.
   Contemporary Theatre.
   Performers and Practitioners.
Анотація: This “what is”—rather than “how to”— volume proposes a theoretical framework for understanding dance leadership for dancers, leaders, and students of both domains, illustrated by portraits of leaders in action in India, South Africa, UK, US, Brazil and Canada. What is dance leadership? Who practices it, in what setting, and why? Through performance, choreography, teaching, writing, organizing and directing, the dance leaders portrayed herein instigate change and forward movement. Illustrating all that is unique about leading in dance, and by extension the other arts, readers can engage with such wide-ranging issues as: Does the practice of leading require followers? How does one individual’s dance movement act on others in a group? What does ‘social engagement’ mean for artists? Is the pursuit of art and culture a human right?
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Alexandre, Jane M. \.\
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